The film ‘Interiors’ portrays two women wandering through the London home of architect Ernö Goldfinger and his wife Ursula, a house, which was a meeting point for the 1930s intelligentsia. They never meet but ultimately, a replica of a sculpture of Barbara Hepworth, as a different perception of time and reality, become both a separating as well as a binding element between the contrasts of the traditional modern.